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CharmedFacts 213/382 | Behind the Scenes

During the first few seasons, Constance M. Burge wanted the series to focus on the girl’s sisterly ties and heritage. This changed when Brad Kern took control, and the focus shifted to vampy outfits and relationship issues.”

AS much as I love Charmed through and through I do wish it would have stayed about the sisters and their heritage rather than relationship issues


CharmedFacts 195/382 | Cast and Characters

All the sisters had either bangs or braces (or both) in their teenage years. It is revealed Prue had both in BE CAREFUL WHAT YOU WITCH FOR, Piper had braces in COYOTE PIPER, Phoebe had bangs in HYDE SCHOOL REUNION and Paige had both in A PAIGE FROM THE PAST.”

so phoebe was the only one who didn’t need braces…

(at least as a teen, we don’t really know about other ages)



you can preach about slut-shaming all you want, but you can’t deny there’s something very wrong with 13 and 14-year old girls going out in skirts and dresses so short they barely cover their asses and shirts with necklines so low they show off cleave they haven’t got yet, drinking and even smoking and hooking up with guys before they even have a substantial knowledge of how sex and sexual relationships work.



Day 12 - Pairing You Wish Happened But Didn’t

Piper and Mark  

Piper and Leo were meant to be from the first episode he appeared on screen and everyone kinda new it. But putting that aside I think Piper and Mark would’ve made a really cute and sweet couple. Aside from the being dead part; he seemed like a really nice guy who she could really connect with especially since they both loved to cook. So in another universe I wish them well.

my favorite guy for Piper, I will always prefer him over Leo. I just loved their chemistry and about the whole “being dead” thing, so is Leo technically


The Disturbing Sculptures of Dongwook

" Love Me Sweet"Arrario Gallery Seoul  samcheong, Korea 2012

Dongwook Lee’s works focus on the contradictions that are fundamentally inherent in human existence and life. Exquisitely hyper-realistic and surrealistically imagined renditions of his miniature human figures are staged in absurd situations in Lee’s works, in which the bleak everyday life transforms into poetic horror. In Lee’s work, a fragile warrior is wearing his own flesh as his armor, and the naked child stands with innocent face in front of blood-stained killing (which he might have committed). His oeuvre stands at an odd intersection of life and death, beauty and cruelty, civilization and wild, and reality and fantasy, unfolding a world of fantasy where people are severed from reality.

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